Category Archives: business

Day 51 Operation: Television’s Curtis Andersen 2.0 – This is tangentially related…

I have been very bad about videos lately as well as blogging. If I were to follow my own advice I would tell myself that I am not doing the work necessary to foster a growing organic audience, the kind of audience that I want to build to maintain a long term entertainment career. This is also where my other self, the one who has to time manage, would argue with excuses about jobs and exhaustion and all the other things that go into “resistance” as it is called in the War of Art.

However, while I do not like excuses, I will say that the things that I’ve chosen to spend my energy on are starting to bare fruit – at least the kind of fruit I can talk about.

For those of you who may not know, I am currently working for a new toy company start-up: Panda Mony Toy Brands. For the last eight months we have been preparing to debut our first toy line. It’s been work that has essentially been secret, and frankly I can’t even tell you that much about it right now, but we’re getting close to having everything birth-out like an alien out of John Hurt. Our first toy line will be debuted at the ASTRA show June 10th through 13th in New Orleans. I’ll be there along with the other partners as we dazzle the sales floor with our stuff.

I promise that I will post more when I can, but for now this is all I can show you:

You can follow everything HERE, but I’ll also be posting it on all of my social medias.

How is this tangentially related to the overall goal? Well since one of the best ways to promote a toy line is through an animated series and comic books that is something else that I have been actively working on as well! So I’ve been stretching my producer muscles looking for the perfect co-production. However, that doesn’t make for good videos so there’s that. In the end, because there is so much to do with the release I have had to modify my goal this month. I will not be rebuilding my class as I hoped (although I will probably do another one-day seminar in late June) but instead I’m working to make sure the launch goes as planned.

Speaking of which, I need to get back to it!

Here’s the playlist for May:

Here’s the playlist from April:

 

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Day 29 Operation: Television’s Curtis Andersen 2.0 New Goal for May

This weekend’s acting intensive went very well! It was a really good group and the four hours flew by. It hasn’t even been a year since I taught my last session in California and I had forgotten how nice it is to be working with a class. Because of how well the intensive went I’ve decided to start up my ongoing acting class again. The first session will start in June, so I’m using May to get the word out. In fact, my goal for May is to get the ongoing class up and running. The nice thing is that results will be obvious: either I will have a class or I won’t.

One of the things that seemed to connect with people, and in turn got me excited about starting the class again, is that there does not seem to be a class like mine here in the area yet. I’m not doing and improv class, there are places like The Ape and Curious Comedy that are already doing those very well, and according to people I’ve spoken with the other acting classes up here work very differently. So I think I may be able to offer something to actors and non-actors alike who can use these techniques not just to work as an actor but to succeed in their other jobs as well.

There’s a lot of work to do, so I’m going to get started.

Here’s the playlist for April:

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Day 25 Operation: Television’s Curtis Andersen 2.0 The Intensive Is Saturday!

There’s still time to sign up for this weekend’s intensive! See the video and info below:

April 28th
noon-4pm

Location: Actors In Action Studio, 323 NE Wygant St. #203. Portland, OR 97211

This class will focus on “finding your base,” script analysis, and making strong choices. This class is appropriate for actors of all levels.

Email Curtis now for a discounted rate of $75 for AIA talent, $95 for all others  curtisandersen@gmail.com

Class size is limited so sign up soon to guarantee your spot!

Here’s the playlist for April:

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I Did a Thing: The Gimme Pizza Podcast

Winning London

Are you a fan of Mary Kate and Ashley Olsen movies? Do you like podcasts? Then I have a treat for you! I was a guest on the latest episode of the Gimme Pizza podcast and we talked about my experiences on “Winning London” and other stuff.

Check out my episode, and all the other episodes, down below:

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There is SO MUCH Going On!

I am currently on location in Harrisville, New Hampshire at Aldworth Manor shooting the new indie horror movie Squirrel. It’s been a lot of fun and you’re going to see a lot of it if you’re following me on social media.

Autumn is my favorite time of year and October is one of my favorite months. Rene and I got married in October, we LOVE Halloween, the weather is my preferred type with clouds and rain and chill, it’s our cup of tea. It’s really hard to be all the way across the country away from her and Frankie. They seem to be having a good time back in Portland and Frankie is super-cute in his outfits to keep him warm, as you can can see in these pictures:

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But it’s still hard. So I’ve been keeping myself busy in my downtime.

In the interest of Halloween, I’m telling spooky stories here at the manor. The first one you can see here:

I’ll be doing more all month and these stories are TRUE! Also, the manor house is apparently haunted so I’m going to be going through it with some of the cast and crew later this month to see if we can “catch” anything. Here’s a preview of that from Friday the 13th:

Of course, it wouldn’t be Halloween if I didn’t post Bloody Mary again – it’s a tradition:

And since we won’t be able to do LIVE Discussions for a while, here’s one that i think is still incredibly relevant on being a journeyman actor:

Oh, and I forgot to mention that we have COOL NEW MERCH NOW! You can see that HERE.

You can currently order these cool designs:

Of course, our patrons have first crack at all new material and at the higher levels of patronage you get discounts on your order! You can check that out HERE.

Please like, subscribe, click the links, share, follow – you know, do all the good social media stuff! We’ll see you soon!

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The Creative Storm: Prioritizing the Mess In a Creative Brain

Since Rene and I have moved to Portland we have been so excited to follow all the creative endeavors we felt we could not pursue while living in California. And we have been! The things that have been made public, like the current projects on the YouTube channel, are the easiest things to make and get out but only scratch the surface of what we’re hoping to do.

There are lists.

Normally I like lists. They help me keep track of things. You can check stuff off of a list. But when your list gets too long it gets hard to keep up with everything, so you have to prioritize. This is where I break. I’ve been accused of having a “yes” disease where I will say yes to doing things because they sound fun and exciting. I can’t deny that. I’m an enthusiastic person. If I am pitched an idea and I like it then I will want to do it and really commit to it. This can lead to a lack of focus and overcommitment and I’m feeling that right now.

The reason I write about this stuff is to help other creatives and people who are starting out by talking about how I solve problems common to creative people, but this is a tough one for me. So rather than being able to rely on my multiple decades of experience to help figure this out, you’ll actually be on the journey with me as I go – warts and all.

When problem solving the first thing to do, and one of the most important steps, is to figure out what the problem is. Fortunately for us I have already spend time figuring this out:

Lack of Focus.

That’s pretty broad. That’s not going to help. As with acting and performing, specifics are key; so what am I not focused on?

I am not focused on what creative endeavors I want to pursue.

Better. Probably not specific enough, but it’s better. So next step, if I am not focused on the endeavors I want to pursue then the next logical question is what are the those endeavors?

I want to make a living as just an actor again.

Woof! OK, tall order. This is not the easiest time to want to do that and now that we live outside of a major market, like L.A. or NYC, it’s even tougher. Also, this requires a few different steps to do efficiently and effectively:

  • Getting a local agent in the PNW.
  • Probably time for new headshots.
  • Regularly check the breakdowns and submit myself (currently happening)

So, that being said, even though there is some progress on that front I will need to drop this goal down the priority scale…

OK, wait a minute! Why is this – the giant overall goal – getting dropped down the priority scale?!?!?!?

Good question, here’s the answer: Paying Bills

I hate this answer. I hate it sooooooo much. If I didn’t have to pay bills I’d have so much money (#sarcasm). But rent, electricity, food, internet, etc. all of it requires paying someone and it is impossible to stay focused on your craft and your goals if you are constantly worried about whether or not things are going to be ok at the end of the month.

Thus thusly and therefore, since I cannot rely on acting money to cover said bills at this time, since I am in progress on that goal in a way continues to move it forward even if it is at a slower pace than I would like, I can move it down a few positions and still feel confident that I am not abandoning the goal. #justification (This can be debated in the comments.)

OK, so what’s next…?

I want to generate more content for the YouTube Channel.

OK, again not quite specific enough. I am generating content for the channel. We do LIVE Discussions every week (#shamelessplug) so I need to drill down deeper.

I want to do more sketches and scripted videos for the YouTube channel.

There we go, that’s something that can be a goal! When I look at the channel analytics the things that do best are things that are funny and either scripted or follow a narrative of some kind. Even though I’d love to be a creative person’s guru (I want to share knowledge!) or be able to do “talking-head” pundit style stuff (they are soooo much easier to make) that is not what people come to the channel for they want me discussing Pokemon Battles, Rene singing about the fall, and our niece using Bloody Mary to murder her brother. I want to provide more of these things, but they have been a little tougher to get done. So what do I need to do to make this happen? I need:

  • Ideas – We have a bunch of these, a bunch! So what I really need to do is focus on which ones to do first. (Check)
  • Time – This is the resource that is completely under my control and I don’t know that I’m parsing out very well. If I really want to do it I can make the time. I find time to do other things and so I know I can do it – I just need to really hanker down and commit. (Check)
  • Money – For some of the ideas I need to get stuff:
    • Music Rights
    • Props
    • Specific Equipment
    • Crew

Money is rough to discuss because that needs to be prioritized too. Let’s not forget the “Need to Pay Bills” part – so that’s in first position priority-wise. And that takes up most of the funds. Rent, food, car (payment & insurance), health insurance, Frankie (food & meds),… It all adds up, there ain’t much left after that. So when it comes to making these things that do cost we need to find a way to pay for them. YouTube Adpocolypse  really affected small channels like ours so we can’t rely on that. Rene and I have started a Patreon account but I understand that in order to grow that we need to have more of the content people really like to watch (see links above). So, if one of the big things holding me back from creating is funding for these projects then I need to raise those funds.

So, in order to do more sketches and scripted content for YouTube I need to raise funds.

There we go, that’s now in a top priority slot.

I’m not going to write about next steps on this in here (I gotta’ keep some mystery about things) but this does help point me in a direction. If you’d like to help get things moving a bit faster don’t hesitate to sign up on our Patreaon #shamelessplug. Or click on the ads, that always helps too!

Is there something you’re working on? Things that you need to prioritize? Let’s talk about it in the comments.

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Tough Times for the Journeyman Actor

Last night Rene and I had a great conversation with fellow actor Tony Robinette about the shrinking actor middle class and things you can do to stay on your hustle while you keep clawing at a professional acting career. Don’t forget to subscribe to our channel and check out our Patreon to help fund the other videos that we are in the process of creating. Let us know your thoughts in the comments!

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Storytelling Discussion Highlights

We had a great conversation on Sunday talking about storytelling, how we do it, and what it takes to make that your career. I’ve trimmed down the over hour long conversation into about twenty minutes of just the most advice dense parts. And there’s a little bit of Skelly in there too.

Below is the full discussion if you liked what you saw above and want to see a bit more:

Don’t forget to check out our panelists where they do their work:

Jeff Garvin at JeffGarvinBooks.com

Erin Stegeman at her Twitter

And Zeke Pinheiro at FunSizeHorror.com

And of course check out the Andelon Productions Patreon. You get exclusive access to content and material there and it only takes a dollar a month to be a patron!

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LIVE Discussions & Patreon – We’re doing things!

We have been hard at work on all of our new stuff and while we’re are still working on things like sketches:

And things like Rene’s music parodies:

The thing that seems to be taking off is our series of LIVE Discussions. These are weekly (Sundays at 11am Pacific Time) and recorded live on our YouTube Channel. We have a topic of discussion (usually arts or creativity related) and I assemble a panel of friends, co-workers, and contemporaries to talk about it for at least 20 mins (although lately we’ve been going longer). Once a month we do a Feature Discussion with a bigger panel. Feature Discussions last for at least an hour and I do a follow-up video of just the highlights after the fact. Below is a playlist of all the discussions so far:

Please check these out, feel free to click on any of the advertising (wink).

Rene and I have some big plans for the future, especially as we continue building our own content. We can do a lot on our own, but we could use some additional financial support to help raise the bar on our activities. Everything we’ve done thus far has been done on a shoestring where we beg, borrow and steal what we need to get a project done. This has worked pretty well, like with The Chili and Bloody Mary:

But with a little bit more money we can do a lot more!

Please consider joining our Patreon page. We’ve set-up some good starter rewards and I’m very pleased to announce that I got some of our art proofs back this morning for the merch that we will be releasing (actual release date TBD, but it’s coming!!!).

If Patreon isn’t an option, please don’t be afraid to click on the advertising links you see here and on the channel. I try to make sure that all of the ads presented are appropriate for the page and they should be set-up so that the items shown are things you, as the reader/watcher, would be interested in.

Thank you all for your support! We have seen the page jump in activity since we started – and we’re doing very well for only being about 4 weeks into this new effort! We’re really looking forward to what’s next!

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Acting 101: Serve the Story

There are some fundamentals that are always worth revisiting. Film, television, theater, even commercials are all forms of storytelling. They all have a beginning, middle and end. They all have characters that go through changes. They all have a conflict and resolution. This applies to all consumed media and you notice if any of these things are missing – that’s when we call something a “bad movie” or show or book or whatever. Storytelling has been around for as long as humans have  smeared berry pulp on cave walls and not much has changed about the process except the technology and number of people telling the story.

Working in the modern entertainment industry, both old and new media, requires collaboration. The story needs a writer. The director is there to interpret the writing. The actor is there to give life to the story’s characters. None of these jobs can tell the story alone, they all need to work together to create the final product. Yes, there may be differences in status between the roles during the course of creation, but in the end all participants at all levels have one job: to serve the story.

Speaking on actors specifically, we end up being the primary face (literally) of this process and therefore we are the focus of a lot of the scrutiny of a final product. When we do our job well even the most ridiculous stories can seem “good” and be enjoyed by the audience. And if we don’t do our job well even the best material can suffer. Serving the story is the most fundamental requirement of all entertainment professionals. Yes, technique is important but those who can serve the story will always win against those who only focus on technique.

And I guess “serving the story” for many would be considered part of some people’s technique, but I think you get what I’m saying so let’s not quibble on technicalities.

To serve the story it is important to realize what your character’s place is within the story. While in the real world we are all heroes of our own stories, in a script each role is laid out clearly and deliberately. There are our leads, the protagonist and antagonist. There are the supporting players, their friends and associates. And there are the atmosphere, the extras that make the scenes feel “real.” Just as there may be differences between the status of a writer, director and actor there are also different strata for the actors with leads on top and extras at the bottom. It’s important to remember that while their status may be different on set all of them are required to effectively tell the story. Each one is a cog that must work with the rest to make the machine operate correctly.

In that working together it is important to maintain the function of your place in that story. It’s an issue that I see most often with actors that are new to the business. Often that are coming to it with stars in eyes and visions of fame in their heads. For them any role they portray is a chance to be the star of the show, even to the detriment of the show itself. Here’s a good rule of thumb, if you are doing a show to perpetuate your own glory then you are working against the show and you are not serving the story. Worst of all, your attempt to shine actually draws the wrong kind of attention to you and will tarnish your reputation making it harder for you to achieve your initial goal in the first place.

What the naive actor does not realize is that the best way to shine is to do your specific part the best that you can within the parameters of the role. This is demonstrated regularly in the characters that we fall in love with who may not be the overall “star” of a piece. Characters like Val Kilmer’s Doc Holliday in Tombstone or Jennifer Coolidge’s Paulette in Legally Blonde. These were supporting characters that stood out, in a very strong way, in films that were not missing plenty of star power in general. They did not make an effort to steal the show, they were just doing what they were hired to do so well that the quality of the work could not be denied.

In my personal opinion, and I’m confident that I’m not alone in this, this is what we as actors and performers should strive to do. All stories are bigger than the single performer. We all have our place, some larger than others, but when everything works together, when the collaboration is effective, then we get the kind of art and entertainment that people not only enjoy but return to over and over again – a classic!

What are your thoughts on this? Let me know in the comments.

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