Friday the 13th is here and while you can learn the real history of Friday the 13th here, I’m instead going to shamelessly self promote with videos!
I love the original Friday the 13th movies – always have since I was a kid. They are campy (pun half intended), bloody and the first four are actually pretty scary. They were the inspiration for the slasher movies I helped to write and make and if I see them on Netflix it’s pretty easy to click play. I made a video about some of my favorite horror things as a content test for the first year of Fun Size Horror. We dropped the concept, but I still have the video. So in honor of Friday the 13th I leave it here for your perusal:
Also if you’re following Operation: Television’s Curtis Andersen then you may want to check out some of the latest additions to the playlist:
My name is Curtis Andersen and I have been an entertainment professional for over 30 years.
I started working professionally when I was 8 years old and haven’t ever stopped, but some years were definitely better than others.
From eight through my mid-twenties I made my primary living as an actor, you can see a list of most of what I did at IMDb. But then in 2005 I thought I’d have more control over my career if I tried producing. It went fine, made some movies; sold some TV shows; and made a lot of music videos, but something was always missing. It was not creatively satisfying, at least not in the way acting is for me, and a majority of the job was hunting for financing. I don’t know if you’ve ever tried independent film financing, but I don’t recommend it. It takes a lot of time to get a “yes” and then there are a thousand ways that are beyond your control where that “yes” can suddenly turn into a “no.” In 2012 I lost the funding for three projects on the same day – it was the next six months worth of work – and I started thinking that being a producer was probably not the path I wanted to follow.
At the end of 2014 I was ready to be done with producing. I was very pleased to be a part of the first year of Fun Size Horror, but found myself having a lot more fun being in the shorts than being behind the scenes. That’s when the final decision was made – I needed to be a working actor again!
That being said, becoming a working actor in Hollywood, even when you were one for over 20 years, is not easy. It takes dedication and persistence and a lot of hard work. I’ve decided to chronicle my path back both here and on my YouTube channel. I’ve created a playlist of the videos I’m shooting, you can see it down below:
I’d love to hear your comments as this keeps going either here on the blog or on the videos.
Let’s see if we can make the nickname “Television’s Curtis Andersen” a reference to me in the present instead of the past.
The wife had a good idea for a video this year about California’s lack of significant seasonal change. She wrote a great blog about it HERE but if you just want to see the video you can see it below:
Happy Halloween! Be safe and have fun!
Ad Council wants you to know that getting your high school diploma or GED is important, so they made a series of PSAs on the subject, including one featuring your truly! Directed by Matt Piedmont, see what drama can unfold in a barber shop:
You may remember that last year Rene and I were involved in the Fun Size Horror project, a series of 31 horror shorts that were released the week of Halloween. Rene and I were directly involved in the production of two of them: Bloody Mary, which featured Rene and our niece Katie, and Home which starred Rene and our friend Matt Conde. After the release embargo was over I released Bloody Mary right away – but I thought that I had lost the final file for Home!
During a massive file transfer to my backup drives I found it, and posted it on YouTube for all to see! So please watch and enjoy Home:
It’s only August, but just the other night I got a hint of a scent in the air that was unmistakable to me as Autumn. I don’t know how to describe it other than wet and earthy. It’s a smell that reminds me of October and all of the Americana that goes along with it: changing leaves, costumes, Halloween in a Normal Rockwell kind of way, and the best parts of my adolescence.
There are certain smells that just go with things. Football players talk about the smell of the field before a game. I remember that smell, there really is nothing else like it. It almost smells as if the field is sweating before the game begins. The other day at a rehearsal for “Rope” I caught the scent of a very specific hairspray in the dressing room, a hairspray that I’ve smelled in dressing rooms for decades and with that one contact I was suddenly reminded of all of those shows. The Autumn smell works the exact same way and triggers some of the strongest nostalgia I feel during any given year.
Every year, usually later than now, when the air starts to change and the nostalgia comes on I find myself searching though my music to make a playlist appropriate to the season. I started doing this back when I was a teenager, making mix tapes on my dual cassette/CD stereo system. There was more of an art to it back then. People had tape lengths that they liked to work in (I was a Memorex 90 minute man, myself) and you’d have to plan out your songs and hope that they would fit each side perfectly. I became very good with the Play/Pause button and mastered the length of the tape lead before it started recording. I could do it by feel, no counting required. Somewhere, deep in boxes that probably haven’t seen the light of day in at least a decade, there are dozens of mix tapes made from my music library circa 1990-1996. These tapes were with me during car rides with my friends when we first felt the “freedom” of being teenagers with cars. They were there for early relationships and the break-ups that went along with them. They were there for my first cigarette and for my first sips of Boones Farm Strawberry Hill. They were the soundtrack to my coming of age and represent all the songs that meant something to me at the time. They were also a pretty good representation of alternative hits and underground bands of the time.
My friends did it too, across the board. We’d listen to what each other made, finding new songs that we liked and new bands. My friend Jeff introduced to me to Oingo Boingo, Voice of the Beehive and October Project this way. I discovered that my friend Dan and I had a mutual love of The Cars and The Police this way. And my friend Scott exposed me to the power of Bad Religion and Pennywise this way. Entire backyard parties were powered by these tapes. They were teenage sorcery that could help bend the mood of entire rooms full of hormone fueled basket cases.
Technology changed and iTunes and iPods made it very easy to generate playlists based on whatever mood you were in at that second. Gone was the finesse of tape creation; instead you could just slam together song after song on a whim. I remember sitting at the computer for hours at a time, days in a row plugging songs into the playlists where I felt they belonged. I had the perfect list for whatever mood I was in. It was pretty awesome… until the crash of 2007 when iTunes and all of my playlists crashed and burned. That killed a lot of the fire I had for digital playlists. So much time was spent creating things that were wiped away in, literally, a moment. After that it took until I discovered Spotify before I felt that a digital playlist would be worth creating again. I haven’t created as many playlists as I did before 2007, but I do find that the ones I curate now get a lot more play.
I started a new playlist for autumn 2015 on Spotify. It’s the start of something that will probably get bigger as the days get shorter and the air gets crisper. I’m sharing this because I selfishly want you to share your playlists with me. Back in the day we would swap tapes and CD’s, but now we can toss entire playlists around digitally. This playlist is full of songs that take me back to being sixteen-and-angry, ready to rage against the world… as soon as I finish my journal entry about no one understanding me. It’s what I would want to listen to on a rainy day, hence the name. Check it out and let me know what you think, but more importantly share your playlists with me. Drop them in the comments and show me something new. I want to try and capture that feeling of sharing music again from back in the day. Whether it’s a favorite album from your favorite band or a playlist of your own creation, pop it in the comments and let’s hear something new.
Early in the year Rene and I were invited to participate in a secret music video shoot.
It was for a new television show whose first season was just ending.
The video was for the special features on the DVD.
We were sworn to secrecy…
Above – an image of our costumes for the shoot.
Below- the video itself.
Side note: This is the only thing in history where I purposely have facial hair and might be the only thing that ever does.
Also, my wife’s dance moves are pretty slick.
And yes, that’s her in bed with Matt McGorry.
And I was in the room… watching.
Special shout out to director Charlie Visnic for including us!
Here’s the video:
The following is a review of the book The Hollywood Survival Guide for Actors by Kym Jackson. It is billed as, “Your handbook for becoming a working actor in L.A.”
Here’s the TL;DR version: If you are an actor in Los Angeles or coming to Los Angeles you should own this book and read this book. In the 30+ years that I have been working in this business, this is, truly, one of the best books on being an actor in the modern entertainment industry I have ever read. I cannot give it a higher recommendation, it is brilliant!
Here’s the full review: When I started working professionally in the entertainment industry in 1985 things were very different from how they are now. First and foremost I was a child who was plucky, had done some amateur acting and wasn’t shy. I had a very supportive family and parents who were willing to do the leg work and driving. My dad was able to locate a reputable child manager who helped me get really good headshots and also referred me to one of the top agencies for children at the time. I had a charmed start to my professional career. I went on my first audition, to be the voice of Schroeder (the piano playing kid in the Peanuts cartoons) and booked it. Because I was small for my age, I was older to play younger for a long time, eventually playing a sixteen year old until I was well into my twenties. Because there were very few bumps on my road to early success I’m not sure that I had a real sense of just how tough this industry can be… until 2005.
In 2005 I was told, very plainly and without any malice, “I just can’t see you as a virgin anymore” by a casting director when I was auditioning to be what I had hoped would be another in a line of geeky teens that, until that moment, had been my bread and butter. In 2005 I went from “regularly working actor” to “barely auditioning actor” and my relationship to the industry changed. I’ll be really open about this, I don’t think I was capable of appreciating how good I had it. I look back now on those first twenty years and they really were amazing! I don’t wanna’ rest on the laurels of an old resume, but I’m still very proud of what’s on my IMDb page even if most of it is over a decade old. But I took it for granted. Mistakes were made. It’s easy to slip into the old refrain of, “if I knew then what I know now…” but regrets never got anyone anywhere and the past is a terrible place to live. Since I didn’t have to struggle when I got started I was horribly ill equipped to get my acting career back on track.
Enter the producing years!
What does every actor want to do after they’ve been acting a while? The correct answer is “direct” but I never really connected to that so I decided to be a producer. The original goal was to make things that I could be in, after all why not cast yourself in the movies you make? For the first project I wanted to just focus on one job, so I did not cast myself (a decision I’m still 50/50 on). There was plenty of work to do as a producer, especially on our small independent project. The budget was tight, down to the last dollar, so I was constantly managing something. This trend continued for the next several projects over the next several years. While my intentions to cast myself were good, a combination of workload and no appropriate parts conspired to take me, essentially, out of the acting world. I still do the occasional commercial here and there and do parts in friend’s projects, but no major theatrical work whether it be my projects or anyone else’s. What I was doing, though, was seeing the job of being an actor from a whole new perspective. In setting up casting sessions I saw that you’d probably only see about 60-75% of the people you scheduled for your audition – especially if it was non-union. That everyone is hustling for that “next gig” even agents and studio heads. The whole town essentially runs on moxie and bravado as opposed to contracts and handshakes (although those are important too). I learned more about the crew than I did in twenty years of working with them including how they are hired, how they are paid, and what it means when talent is late. I learned how the sales process of different projects works, including films, documentaries and television shows. Doing the hands-on work and being a part of every facet of the production process became a better education than proper film school. After a decade of fighting tooth and claw to get things made I came to the conclusion that producing was not the right thing for me and it was time to get back to what I really loved.
Back in the saddle.
At the end of 2014 I was just coming off a very successful turn as a board member of the Big Bear Film Festival and the first year of Fun Size Horror but I was ready to be done. Producing was lots of work and satisfying on a business level, but I really missed being an actor. After a decade of being committed to making things people had forgotten that I used to be in front of the camera and that kinda’ sucked. I didn’t like the idea of being the guy who “used to be an actor,” being one has always been part of my identity. So in 2015 I decided it was time to rejoin the ranks completely and get back to being a full time working actor…
…turns out that’s a lot harder than it used to be.
No longer the adorable eight-year-old, it has not been as simple to just “jump back in.” Now-a-days you are required to have a demo reel to be considered for even the smallest parts. Agents won’t even look at you without a strong referral or a good list of credits. Booking the jobs I used to get is a lot harder now since much bigger actors are now taking smaller parts in films and T.V. shows.
What I’m getting at with all this preamble is that I have had a very full and complete experience in the Entertainment Industry School of Hard Knocks. I’ve been up and I’ve been down and I’ve seen some shit. It’s taken me thirty years to learn all of this.
You can get it all in one book.
Kym Jackson has succinctly and efficiently placed all of the knowledge that a new actor in Los Angeles needs in one very easy to read book that covers everything from moving to L.A. to booking the job. I have often run into people that are ready to tell you “how it is” in Hollywood but never have I read something that I both agreed with and was able to learn something new from.
This isn’t a book you just read and put down, it is a resource. The chapters are laid out in an easy flow that makes sense as you go along. I found myself trying to come up with questions rookies might ask as I went through it. Each time it felt like the next chapter was answer to at least one of those questions with the remainder not far behind.
The best part about this book is that it is CURRENT. When I first started acting in the 80’s this business was very different and I’ve seen more change in the last five years than in the last thirty combined! All of the information in this book is up to date and looks to remain relevant for years to come.
It is a book I recommend to my acting students and one that I would recommend to any one even thinking of giving L.A. a try as an actor.
Get it, read it. You’ll be happy you did.
The Entertainment 101 Seminar coming to Studio 105 on Sunday August 2nd from 2pm-4pm.
- On-Set expectations & responsibilities.
- Common vocabulary.
- People and positions to know on set.
- The audition process.
- And for parents – requirements & laws for young actors!